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These are my published works on film. I like to overturn orthodoxies, particularly in my latest book. I also feel that too much theoretical writing on film is unreadable. What do you think? You can add your comments in the guestbook below

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Movie Greats: A Critical Study of Classic Cinema

Why are some films regarded as classics, worthy of entry into the canon of film history? Which sorts of films make the cut and why? Movie Greats questions how cinema is ranked and, in doing so, uncovers a history of critical conflict, with different aesthetic positions battling for dominance.



The films examined range across the history of cinema: The Battleship Potemkin, The 39 Steps, Modern Times, Citizen Kane, It's a Wonderful Life, Black Narcissus, The Night of the Hunter, Lawrence of Arabia, 8 1/2, 2001: A Space Odyssey, The Godfather, Raging Bull, The Piano and Kill Bill: Vol. 1.



Each chapter opens with a brief summary of the film's plot and goes on to discuss the historical context, the key individuals who made the film, and initial and subsequent popular and critical responses.



Students studying the history of film, canon formation or film aesthetics will find this book relevant, provocative and absorbing.

Contains bibliography, index and further reading list


Berg Publishers, 2008, 240pp


paperback ISBN

9781845206536

 £16.99

Errata

Buy it here

Other Editions ISBN
9781845206529                    9781847884619


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The British Working Class in Postwar Film

Using a sociological model,The British Working Class in Postwar Filmlooks at how working-class people are portrayed in British feature films from the decade after World War II. Original statistical data is used to assess the popularity of the films with audiences. With an interdisciplinary approach and the avoidance of jargon, this book seeks to broaden the approach to film studies. Readers are introduced to the skills of other disciplines, while sociologists and historians are encouraged to consider the value of film evidence in their own fields.

Manchester University Press, 2003

230 pages, paperback ISBN 0719062586, £15.99

Other Editions ISBN

hardback               9780719062582

Buy it here (paperback and hardback editions)


The Cinema of Britain and Ireland

'The Rocking Horse Winner' in

The Cinema of Britain and Ireland

(ed. Brian McFarlane)

Wallflower Press, London, 2005

paperback ISBN 9781904764380 £18.99

Other editions ISBN 

hardback 9781904764397 £50.00

Buy it here (paperback and hardback editions)


 

Essays in Offscreen

Comfort and Joy: the anatomy of melancholy   Vol. 9 (7)  July 2005

                                                                                   A reappraisal or Bill Forsyth's neglected film.


 

GNER 19th Leeds International Film Festival  Vol. 9 (10) Oct. 2005

                                                                                   A report on the 19th Leeds International Film Festival.


 

12th Bradford Film Festival                                  Vol. 10 (3) March 2006

                                                                                   A report on the 12th Bradford Film festival.


 

20th Leeds International Film Festival              Vol. 10 (11) Nov. 2006

                                                                                   A report on the 20th Leeds International Film Festival.


 

13th Bradford International Film Festival          Vol. 11 (4) Apr. 2006

                                                                                   A report on 13th Bradford International Film Festival.


 

14th Bradford International Film Festival,          Vol. 12 (3) March 2008

                                                                                  A report of the 14th Bradford International Film Festival.


 

British Film Festivals X2                                      Vol. 12 (12) December 2008

                                                                                  A report on the 22nd Leeds International Film

                                                                                  Festival and the 2008 English Riviera Comedy Film Festival 


23rd Leeds International Film Festival

   Vol. 13 (10) December 2009

   A report on the 23rd Leeds International Film Festival.


 

Book Review in Scope

Issue 6, October 2006

Powell and Pressburger: A Cinema of Magic Spaces By Andrew Moor & Coward on Film: The Cinema of Noel Coward


 

Article in Film International

Vol. 4, no 6 Issue 24 (2006) pp. 50-8.

'Capturing the moment: realism in British cinema of the late 1940s, its antecedents and its legacy'.


 

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© Philip Gillett 2009