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The British Working Class in Postwar Film
Using a sociological model,The British Working Class in Postwar Filmlooks at how working-class people
are portrayed in British feature films from the decade after World War II. Original statistical data is used to assess the
popularity of the films with audiences. With an interdisciplinary approach and the avoidance of jargon, this book seeks to
broaden the approach to film studies. Readers are introduced to the skills of other disciplines, while sociologists and historians
are encouraged to consider the value of film evidence in their own fields.
Manchester University Press, 2003
230 pages
paperback ISBN 0719062586, £15.99
hardback
9780719062582
Buy it here (paperback and hardback editions)
The Cinema of Britain and Ireland

'The Rocking Horse Winner' in The Cinema of Britain and Ireland (ed. Brian McFarlane)
Wallflower Press, London, 2005
paperback ISBN 9781904764380 £18.99
Other editions ISBN
hardback 9781904764397 £50.00
Buy it here (paperback and hardback editions)
Essays in Offscreen
Comfort and Joy: the anatomy of melancholy
Vol 9 (7) July 2005
A reappraisal or Bill Forsyth's neglected film.
GNER 19th Leeds International Film Festival
Vol. 9 (10) Oct. 2005
Report on the 19th Leeds International Film Festival.
12th Bradford Film Festival
Vol. 10 (3) March 2006
A report on the 12th Bradford Film festival.
20th Leeds International Film Festival
Vol. 10 (11) Nov. 2006
A report on the 20th Leeds International Film Festival.
13th Bradford International Film Festival
Vol. 11 (4) Apr. 2006
A report on 13th Bradford International Film Festival.
Vol. 12 (3) March 2008
A report of the 14th Bradford International Film Festival.
British Film Festival X2
Vol 12 (12) December 2008
A report on the 22nd Leeds International Film Festival and the 2008 English Riviera International Comedy Film Festival
Book Review in Scope
Issue 6, October 2006
Powell and Pressburger: A Cinema of Magic Spaces By Andrew Moor & Coward on Film: The Cinema of Noel Coward
Article in Film International
Vol. 4, no 6 Issue 24 (2006) pp. 50-8.
'Capturing the moment: realism in British cinema of the late 1940s, its antecedents and its legacy'.
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© Philip Gillett 2009
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